I'm not a hobbyist who picked up a camera for a weekend rate. I'm a U.S. Army veteran, a National Geographic grant recipient, and the founder of the Wonderland Project — a 3D cave-mapping expedition through Mexico's cenotes, featured by BBC Travel, built with archaeologists, dive professionals, and camera and lighting techniques few photographers ever need to master. That project meant photographing in total darkness, at depth, under pressure, with no room for a second take. A wedding day is, if anything, more forgiving light. My work has also earned a place in the Autodesk Technology Centers Residency program, alongside a small, invited group of technologists and creators pushing what's possible with imaging and design.
I've worked and traveled across 74 countries, which means the logistics that intimidate most photographers — permits, remote venues, unfamiliar terrain, multi-leg travel — are simply second nature to me. If your wedding is on a private island, deep in a jungle, or three flights from anywhere, I'm not just willing to go. I'm genuinely built for it.
Every wedding is photographed on medium format cameras — the same class of equipment used for museum and gallery-grade work — capturing far more resolution and tonal depth than standard full-frame systems. The result isn't a folder of digital files. It's a commissioned museum print for your home, a hand-bound heirloom book curated to 120 photographs, and — drawing on the same photogrammetry and 3D-scanning background behind the Wonderland Project — an option to preserve heirlooms like rings, bouquets, and keepsakes alongside the photographs themselves.
I take on a limited number of weddings each year — every one photographed personally, start to finish — and I'm genuinely open to traveling with the wedding or honeymoon party to document the celebration on location, wherever in the world that may be.
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